Testing out the Diana Multi Pinhole Operator by Lomography

This camera was a bit of an impulse buy because Lomography had slashed 50% off the normal retail price on a random Monday several weeks back so it cost me £24.50 rather than the usual £49.00.

Although my Diana F+ camera has a pinhole shooting option, I was drawn to this camera because of the different colour filters it comes with so thought it would be a fun camera to try out.

Also, I had never tried out pinhole photography before so thought this would be a good starting point.

I really like the yellow colour of the camera and it is plastic and lightweight like the Diana F+. It also takes 120mm film as it’s designed to be shot in medium format. However, there are two frames provided with the camera to take 16 small square shots (4.2×4.2cm) and endless panorama (4.6×4.6cm) both on a 16 shot setting instead of the normal 12 shots if you didn’t use the frames.

The camera is fully manual so there is no lens or shutter. You can select how many pinholes you want by moving the switch under the front barrel. You can choose between one, two or three pinholes.

To take a photo, you need to open the pinholes and close them when enough light has gone onto the negative using the switch on the left of the barrel. You push the switch down to let light in and up to stop the light from coming in.

Lomography recommend that you use a tripod if you want to avoid blurry images. There is also an option to attach a flash (although this wasn’t included with the camera).

I was very excited about testing out this camera and have a flimsy travel tripod which is fine for such a light camera as this.

Out of all the filters provided, I only really like the orange and pink ones the most as the other colour combinations don’t really appeal to me that much. There are three filters that are designed for the two pinhole option and three filters that are designed for the three pinhole option.

I decided that I was going to test this camera out on the beach opposite where I live. Unfortunately I hadn’t really thought about the fact it was a very windy day and since the camera and tripod I was using were so light, it did have a tendency to blow about.

Also, the colour filters are very small and flimsy. Lomography recommend storing the filters in a 35mm film canister and even provide little round stickers to label it.

However, when using the camera for the first time, I took out the original packaging with me and as I was taking out the filters on the windy beach, two of the filters flew out of the packaging (aaaarrrrhhh!).

Searching for them amongst the pebbles was literally like looking for a needle in a haystack. After searching the surrounding area for approx 20 minutes, I never found those two filters and had to admit defeat which was extremely frustrating.

On the plus side the two filters I lost were of colours that I didn’t really like so would probably never really used them anyway. However, I was still annoyed that my camera was no longer a complete set, especially on it’s first use!

I used the Lomography Colour 400 Iso 120mm film in the camera.

I tried to keep the tripod as still as possible to avoid as much blur as I could. Here is a photo I took on the one pinhole option with no filters:

 Here are some photos I took using the colour filters which are best used with the two pinhole option, again using a tripod:

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Finally, here are the photos I took using the three pinhole option on the camera with the colour filters:

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Overall, I think the photos are quite fun and I like the colours. I prefer the three pinhole option the most because I think the colours on the filters blend better together.

Sadly, as I found this camera quite fiddly and time consuming to use, it isn’t a camera that I’ll use regularly. It will be used as and when I have specific artistic style photography shoots in mind.

In view of this, I think £49.00 would have been too much for me to pay for the camera. Although at £24.50 I think that price was reasonable for how many times I’ll use this camera in a year.

Here is a link to where you can purchase the camera online in the UK:

https://shop.lomography.com/en/cameras/pinhole-cameras/diana-multi-pinhole-operator

Shooting the new Dubble Film Jelly 35mm film with my Pentax K1000 Camera

I love experimenting with out of the ordinary colour films so was keen to try out the recently released ‘Jelly’ film from Dubble Film which I purchased from Zoing Image in Brighton.

The 35mm film has an ISO of 200 and from the sample photos I saw it gives a rainbow colour effect. Dubble Film state that results of the photos will vary depending on shooting conditions.

I decided to try this film out in my Pentax K1000 camera. I also knew that I wanted a circular fisheye effect. Now, I could have just done this in my Lomography Fisheye No. 2 camera but I wanted some control over the exposure which I knew I’d be able to do in my Pentax. This is because from previous experience of using Dubble Film’s Bubblegum film, I know that it had been best to over expose that particular film and I may have struggled to do this in the Lomography camera since I don’t have actual control of aperture and shutter speed except for cloudy/sunny option.

I also have a circular fisheye lens for my Pentax K1000, which I attach to my 28mm lens on the camera.

The reason I decided on using a fisheye effect lens was because I knew the film is pre-treated so the rainbow effect would show up on all of it and not just the circular photo. Normally the area around the actual circular photo is black when I take a picture so I thought it would be interesting to see what colour effects would show up on the black area.

I figured this style of film would be best suited to landscape style shots rather than of actual people so I decided to shoot a test roll on the beach where I live.

One key thing to remember about this film is that it only has 24 exposures. I had recently been shooting a lot of 36 exposure film so I completely forgot this when merrily shooting away and it meant that I missed out on some photos I had wanted to take because I thought I had another 12 exposures left to use.

I wasn’t sure what to expect from this film but it certainly did give a rainbow colour effect and I think it worked well on the beach. Here are some of the photos:

Double Exposures with my Lomography Sprocket Rocket Camera in Kuala Lumpur

Back in September I visited Kuala Lumpur in Malaysia for the day along with my husband and a couple of friends.

I knew my husband would be taking lots of bulk standard photos during our visit there with a digital camera so I decided to mix it up a bit and load up my Sprocket Rocket Camera with some LomoChrome Purple 400 35mm film.

I’d figured that whilst visiting I would be taking a lot of landscape shots, which the Sprocket Rocket Camera is great for since it’s panoramic and as mentioned in previous blog posts, I love the sprocket hole effect.

Unfortunately on the day I visited, the weather was really bad and constantly rained. This meant I didn’t manage to take as many photos as I had originally planned.

Also the frame counter on my camera didn’t seem to be working properly and I’m still not sure whether this was me not loading the film correctly or if the film had got slightly jammed or due to the torrential rain, in my haste to try and take photos quickly, I just wasn’t using it correctly.

Either way, since the frame seemed to remain constantly around the 3 mark and didn’t seem to count upwards beyond that number, I knew that I would most likely end up with multiple exposures which is exactly what happened.

It transpired after developing the film that several of the photos I’d taken ended up being multiple exposures and here they are:

Here are a couple of shots that I must have managed to move the film on correctly so they didn’t end up as a multiple exposure:

Trying to take photos or do some sightseeing in bad rain was certainly not a pleasant experience and although I didn’t manage to take as many photos as I had hoped, I’m pleased I at least managed to take a couple.