Silver Gelatin Prints make lovely gifts

I was thinking today about the satisfaction I’ve had recently in being able to produce silver gelatin prints in the darkroom for gifts.

Whilst I appreciate that it’s a very personal thing to decide what photos you would like on display in your home, I’ve only gifted a couple of photos so far, to people who I know would love them and would definitely have them on display.

The first silver gelatin print I gifted was to my friend Clive, who went away with me last year to Singapore when we watched the Formula 1 Grand Prix there.

It was an amazing trip away and I managed to take a nice photo of Singapore using the zoom lens on my Pentax K1000 camera and Kentmere 100 black and white film.

I really liked the photo when I got it developed and practiced printing it on silver gelatin paper at my second black and white photography course at Varndean college. Here is a scanned copy of the print I did using a 3.5 Contrast Filter:

Clive saw the photo and really liked it. He had recently moved houses and said how lovely that picture would look framed up in his home office.

I therefore mounted it using white card and framed it in a nice black frame and gave it to Clive and he was really happy with it. It also felt like a nice moving in gift to his new home.

The second photo I gifted was to my husband today as it’s his birthday.

He is actually quite a difficult person to buy gifts for since he never really wants anything and if he does, he just buys it himself.

In the past I’ve taken him away on holiday for his birthday but due to current work commitments, he cannot take any time off work in the near future so I knew I wouldn’t be able to do this for him at the moment.

In fact, I think I felt more sad for him than he did at going to work today.

A couple of weeks ago, I had been practicing portrait shots with him using my Hasselblad 500 C/M camera and some Rollei RPX 400 black and white film.

I particularly liked a picture I’d taken of him cuddling our dog so decided yesterday when I was in the darkroom to make an enlargement of it.

Early this morning before he got up for work, I placed the photo on the mantel piece in our living room for him to see.

I’m pleased to say he really loved it and left for work with a big smile on his face. That was a great feeling for me knowing how happy I’d made him and I knew that photo meant more to him than anything material I could have bought.

I attached a copy of the photo in the blog heading but here it is again:

Contrast Filters – Black and White Dark Room Photography

Last week I had the chance to try out a contrast filter for developing a photo during  my black and white dark room photography lesson.

I’m already aware of contrast filters being used on cameras on the lens.

Contrast can be high and low (depending on whether you want your picture be dramatic and bold or if you’re after a more subtle and soft photo).

I learnt that in the darkroom, you can use contrast filters to alter the tonal contrast of your prints (providing you use multigrade or multi-contrast paper).

Contrast filters are built into some enlargers but if the enlarger you’re using doesn’t have this, then a contrast filter can be added to the enlarger (usually fitted into a slot below or above the negative holder).

A contrast filter on the enlarger will allow some light through and alter the way the the tones look on the enlargement.

Contrast filters for the enlarger are numbered and go up in half increments as follows

00 0 1/2 1 1 1/2 2 2 1/2 3 3 1/2 4  4 1/2 5

The lower the number (e.g. 00), the lower the contrast.

The higher the number (e.g. 5), the higher the contrast.

One final thing to note is that when a contrast filter is used on the enlarger, the exposure time will be affected, so I would always need to do a new test strip with the filter in order to work out the new correct exposure time needed.

The title image in this blog is a photo taken during my recent trip to Singapore on my Pentax K1000 camera using Kentmere 100 black and white film. I used a 3.5 contrast filter in the enlarger to make the hotel building more darker and at the same time, make the sky almost white.