Silver Gelatin Prints make lovely gifts

I was thinking today about the satisfaction I’ve had recently in being able to produce silver gelatin prints in the darkroom for gifts.

Whilst I appreciate that it’s a very personal thing to decide what photos you would like on display in your home, I’ve only gifted a couple of photos so far, to people who I know would love them and would definitely have them on display.

The first silver gelatin print I gifted was to my friend Clive, who went away with me last year to Singapore when we watched the Formula 1 Grand Prix there.

It was an amazing trip away and I managed to take a nice photo of Singapore using the zoom lens on my Pentax K1000 camera and Kentmere 100 black and white film.

I really liked the photo when I got it developed and practiced printing it on silver gelatin paper at my second black and white photography course at Varndean college. Here is a scanned copy of the print I did using a 3.5 Contrast Filter:

Clive saw the photo and really liked it. He had recently moved houses and said how lovely that picture would look framed up in his home office.

I therefore mounted it using white card and framed it in a nice black frame and gave it to Clive and he was really happy with it. It also felt like a nice moving in gift to his new home.

The second photo I gifted was to my husband today as it’s his birthday.

He is actually quite a difficult person to buy gifts for since he never really wants anything and if he does, he just buys it himself.

In the past I’ve taken him away on holiday for his birthday but due to current work commitments, he cannot take any time off work in the near future so I knew I wouldn’t be able to do this for him at the moment.

In fact, I think I felt more sad for him than he did at going to work today.

A couple of weeks ago, I had been practicing portrait shots with him using my Hasselblad 500 C/M camera and some Rollei RPX 400 black and white film.

I particularly liked a picture I’d taken of him cuddling our dog so decided yesterday when I was in the darkroom to make an enlargement of it.

Early this morning before he got up for work, I placed the photo on the mantel piece in our living room for him to see.

I’m pleased to say he really loved it and left for work with a big smile on his face. That was a great feeling for me knowing how happy I’d made him and I knew that photo meant more to him than anything material I could have bought.

I attached a copy of the photo in the blog heading but here it is again:

How different a photo can look from basic scanning to printing a copy of it in the darkroom

I suppose it’s quite obvious that there will be differences in a photo from being scanned onto a computer compared to if you print a copy of it in the darkroom.

I really noticed a difference in the contrast in a couple of my photos this week that I’d originally scanned using my Epson V600 scanner and then developed copies in the darkroom.

These photos were taken using my Hasselblad 500 C/M Camera and Ilford Delta 400 film.

The first image was of a close up of a tombstone in the shape of a cross with a tree in the background. Here is the original image that I scanned on my Epson V600 scanner:

I didn’t tweak the original scan as I was happy with the original exposure. As you can see, it isn’t high in contrast and there are many subtle shades of grey which is what I would have expected from the Ilford Delta 400 film.

I’m not sure what I was expecting when I decided to print an enlargement in the darkroom but I was surprised by how different the contrast and tones were:

I cropped the photo slightly as I wanted more focus on the tombstone and tree and I felt the extra detail on the right hand side of more trees took attention away from this. The biggest difference I noted though was how much darker the trees and shadow detail were. Also, the grass, tombstones and background detail were left with really nice shades of grey.

I next decided to do an enlargement of a tree image I’d taken on the same roll of film with the sun shining through the trees. I was keen to see how this would look in a print. Here is the original photo I scanned on my Epson V600 scanner:

I made no amendments to this photo at the scanning stage as I was happy with the exposure. As before, the photo consists of various shades of grey with no real contrast.

Here is the same image which I printed in the darkroom:

Once again, I cropped the image, this time on the left hand side because I wanted more focus on the two big trees with the sun shining through. You’ll notice that the greys are much darker on this print compared to the original scan. I’ve also lost the grey detail from the sky which was in the original scan. This gives the image a lot more contrast.

I used Ilford chemicals to develop both prints and also Ilford Multigrade IV RC Deluxe Pearl 8×10 paper. I exposed both images for 1 minute and I didn’t use any contrast filters.

Personally I prefer the darkroom prints over the original scanned images. I’m very keen on contrast in my photos as I feel this adds to the dramatic effect I wanted to achieve in these particular images I took.

Perhaps I could have achieved this effect too on the scanner by changing the contrast but I am just surprised by how different they look in print.

I’m very grateful to have access to a darkroom and I get so much satisfaction in seeing my images almost come to life in print instead of just looking at them on the screen.

I’ve also enjoyed messing about cropping my images to see how different it can make my photo look.

Needless to say, there are many more prints that I now want to develop in the darkroom to see how different they look compared to my original scanned images.

Lastly, the darkroom prints have also been scanned onto the computer using my Epson V600 scanner and they look the same as the actual print.