I recently did an interview with Lomography which has now been published in their online magazine about the Highgate Cemetery Workshop I attended in October.
Check out the interview and photos here.
I recently did an interview with Lomography which has now been published in their online magazine about the Highgate Cemetery Workshop I attended in October.
Check out the interview and photos here.
On Saturday 20th October I visited Highgate Cemetery to do a Lomography workshop using the Diana F+ camera.
You’ll see from one of my other blog posts that I already own a Diana F+ camera so am familiar with how it works, but I’ve always wanted to visit Highgate Cemetery so thought this would be a good opportunity to finally go.
The cost of the workshop was £20 which included a loan of a Diana F+ camera, a roll of black and white 120mm lomography film, entry to Highgate Cemetery’s East side plus development and scanning of the film that was used during the workshop.
I arrived at the cemetery’s box office (where the meeting point was) and quickly saw how popular this workshop was going to be since there were a few of us.
There were several employees from Lomography who also attended the workshop so they were able to split us into two groups.
Before we went into the cemetery, we were given a handout about occult photography in the 1800’s. We were told that with the Diana F+ we would be able to create some ghostly style images and were even offered some tissue paper if we wanted it to create an ectoplasm effect.
There was a whole bunch of Diana F+ cameras in different colours on display at the meeting point which were pre-loaded with black and white 120mm film. The nice thing was that we were allowed to pick a camera ourselves rather then just be handed one.
We were shown the features of the camera and were informed that we’d always be best off using the cloudy setting on the camera for UK weather even on a bright sunny day. The day of the Workshop was very bright and sunny which I was pleased about since we’d be outdoors. I’d also learnt something new as I personally would have used the Sunny setting if I hadn’t have been told this.
We were talked through how double exposures can be taken on the camera to try and create a ghostly effect. We were also shown how we could take pinhole photos if we removed the main lens and took a longer exposure in bulb mode.
Since the film only has 12 shots, we were also able to purchase more film if we needed it for an additional £5. I’d thankfully thought ahead and brought my own Diana F+ camera with me and some spare black and white Lomography film. However, I initially used the camera they loaned for the workshop since it already had the film pre-loaded.
We proceeded to walk round the East Side part of the cemetery and it certainly didn’t take very long to use up the 12 shots. I then used my own Diana F+ camera with the spare film I had brought with me.
I decided to take the used film home with me rather than let Lomography develop and scan them since I have my own flat bed scanner that I scan my photos on and I wouldn’t have to wait for them to post me the negatives after scanning the film etc.
Here are the results of the photos I took using the camera that Lomography loaned me during the workshop:
I can see why Lomography used this particular camera for the workshop as the heavy vignetting produces a great dreamy effect which I think works really well with the graveyard shots and also the black and white film gives them an old fashion feel.
Here are the photos I took using my Diana F+ camera and the black and white 120mm Lomography film I own:
I think most people will agree that the photos I took using my camera are a real disappointment and this is because the backing paper from the film has imprinted itself onto the negatives.
I can see this has happened on a couple of the shots too using the loan camera from lomography but it’s not been no where near as bad as my film.
I’ve since discovered this will most likely happen if the film is expired or not stored correctly.
I normally store my film in the fridge, however, I have to admit that I had originally intended to use this black and white film in my Diana F+ camera several months back for another project which I didn’t end up doing and I lazily left the film on the side and didn’t end up putting it back in the fridge. We’ve also had quite a warm summer in England and the room where the film was left does get very warm so I think this has definitely been a contributing factor.
Overall, I found the workshop great fun and the Lomography staff were really nice and extremely supportive with any queries we had throughout the workshop which ran from 1pm-5pm.
I thought the workshop was great value for money and such a good thing to do around Halloween time.
If they run one next year, I would highly recommend it to anyone who can get to London and is keen to try out the Diana F+ camera.