A couple of weeks ago I was sorting out one of my travel bags and I came across a roll of 120 film in one of the pockets that I would have taken with me on my holiday in June but must have missed this pocket when unpacking everything back on my return.
It was in a white plastic packet with no writing on it. I decided I wanted to use it up asap because I couldn’t remember what it was so I wouldn’t be able to add it to my film inventory for a particular plan of use.
It was a nice sunny morning the other Sunday and my dog, Daisy, needed a walk so I decided to take my Hasselblad with me over to the beach and use up this film.
I was hoping when I opened up the plastic packet that there may have been a label but all it said on the paper inside was a strange graphic of 100.
I decided to take this as being the ISO and took photos using that ISO for my exposure.
I also wasn’t sure if it was black and white or colour. When I took it to my local lab for processing, I decided to get it processed in black and white.
I figured if I was wrong and it was ruined, they were beach photos which I regularly take so it wouldn’t be much of a problem.
Thankfully it was a black and white film and the photos for the most part, came out fine.
It stated 100 pan on the processed negatives so I think it must have been a Rollei film I had taken with me on my trip to Turkey in June but never used.
Here are some photos of the beach:
Here are some photos I took of Daisy on the beach:
I can’t make up my mind whether I like this photo or not? I think I would have preferred it if I had put Daisy in focus and the people in the background had been out of focus:
This photo of Daisy has a sea mist feel about it as it seems slightly over exposed:
I had great fun that morning using my Hasselblad on the beach and I’m really pleased that I had guessed the film type for developing correctly.
I recently bought the Rollei 120mm colour film, which was on sale at a reduced price whilst purchasing some silver gelatin paper.
I had read that the Rollei Chrome CR 200 is an E-6 colour slide film which has rich, warm colours and subtle contrasts. It can be cross developed (C-41 process).
I knew I wanted to test this film out in my Hasselblad. I’ve recently become quite addicted to black and white photography so this was the first colour film that I decided to try and I was very excited to see the results.
After doing some research on the film and looking at other people’s photos online who had used it, I decided that I preferred the warm tones and colours when the film is cross processed under C-41 so got my film developed this way.
Here are a couple of photos I took of my nephews:
I was really pleased with how the above photos turned out. I felt the film being cross processed gave a warm vintage feel to the photos. I feel the colours all blend in together in a nice subtle way. I also love the crisp detail of the trees that my camera has managed to capture.
I next took some photos of blossom trees:
Again, there is very much a warm tone to these photos and I particularly like the darkness of the tree against the bright blue sky. Also the blossom has a yellow tint to it.
Lastly, I took some photos on the beach with the waves and sky:
I love the water detail in these photos and was surprised to see that the clouds almost look like paintings.
I especially love the last photo which I feel has a real 1970s dreamy, advert feel to it.
Since I really loved the previous black and white photos I had taken using my Lubitel 166B, I thought I would try out the Ilford HP5 Plus film as it’s a very easy film to get hold of in a few of my local shops in Brighton.
The more I use the camera, the more I continue to love it. Since my last blog, I’ve now discovered how to focus the photo properly by using the attached magnifying glass in the viewfinder and looking at the central circle in the viewfinder.
I also thought I’d test out the eye level viewfinder on the camera which is a small square in the plastic at the top so you don’t actually look into the picture part of the camera. Here are two photos I took using this method of shooting:
I didn’t feel that using the little square viewfinder gave an accurate image of  what I inevitably shot so I know I definitely prefer using the actual picture viewfinder and mainly shooting from the hip.
It was a cloudy, windy day in Brighton and the waves were immense. I wanted to capture this as best I could using the Lubitel and here are the results:
I wasn’t sure when taking the photos if I was going to find them boring once developed but I do really like them. Again for me, I just really like the style of photo this camera produces.
This camera was a bit of an impulse buy because Lomography had slashed 50% off the normal retail price on a random Monday several weeks back so it cost me £24.50 rather than the usual £49.00.
Although my Diana F+ camera has a pinhole shooting option, I was drawn to this camera because of the different colour filters it comes with so thought it would be a fun camera to try out.
Also, I had never tried out pinhole photography before so thought this would be a good starting point.
I really like the yellow colour of the camera and it is plastic and lightweight like the Diana F+. It also takes 120mm film as it’s designed to be shot in medium format. However, there are two frames provided with the camera to take 16 small square shots (4.2×4.2cm) and endless panorama (4.6×4.6cm) both on a 16 shot setting instead of the normal 12 shots if you didn’t use the frames.
The camera is fully manual so there is no lens or shutter. You can select how many pinholes you want by moving the switch under the front barrel. You can choose between one, two or three pinholes.
To take a photo, you need to open the pinholes and close them when enough light has gone onto the negative using the switch on the left of the barrel. You push the switch down to let light in and up to stop the light from coming in.
Lomography recommend that you use a tripod if you want to avoid blurry images. There is also an option to attach a flash (although this wasn’t included with the camera).
I was very excited about testing out this camera and have a flimsy travel tripod which is fine for such a light camera as this.
Out of all the filters provided, I only really like the orange and pink ones the most as the other colour combinations don’t really appeal to me that much. There are three filters that are designed for the two pinhole option and three filters that are designed for the three pinhole option.
I decided that I was going to test this camera out on the beach opposite where I live. Unfortunately I hadn’t really thought about the fact it was a very windy day and since the camera and tripod I was using were so light, it did have a tendency to blow about.
Also, the colour filters are very small and flimsy. Lomography recommend storing the filters in a 35mm film canister and even provide little round stickers to label it.
However, when using the camera for the first time, I took out the original packaging with me and as I was taking out the filters on the windy beach, two of the filters flew out of the packaging (aaaarrrrhhh!).
Searching for them amongst the pebbles was literally like looking for a needle in a haystack. After searching the surrounding area for approx 20 minutes, I never found those two filters and had to admit defeat which was extremely frustrating.
On the plus side the two filters I lost were of colours that I didn’t really like so would probably never really used them anyway. However, I was still annoyed that my camera was no longer a complete set, especially on it’s first use!
I used the Lomography Colour 400 Iso 120mm film in the camera.
I tried to keep the tripod as still as possible to avoid as much blur as I could. Here is a photo I took on the one pinhole option with no filters:
 Here are some photos I took using the colour filters which are best used with the two pinhole option, again using a tripod:
Finally, here are the photos I took using the three pinhole option on the camera with the colour filters:
Overall, I think the photos are quite fun and I like the colours. I prefer the three pinhole option the most because I think the colours on the filters blend better together.
Sadly, as I found this camera quite fiddly and time consuming to use, it isn’t a camera that I’ll use regularly. It will be used as and when I have specific artistic style photography shoots in mind.
In view of this, I think £49.00 would have been too much for me to pay for the camera. Although at £24.50 I think that price was reasonable for how many times I’ll use this camera in a year.
Here is a link to where you can purchase the camera online in the UK:
I love experimenting with out of the ordinary colour films so was keen to try out the recently released ‘Jelly’ film from Dubble Film which I purchased from Zoing Image in Brighton.
The 35mm film has an ISO of 200 and from the sample photos I saw it gives a rainbow colour effect. Dubble Film state that results of the photos will vary depending on shooting conditions.
I decided to try this film out in my Pentax K1000 camera. I also knew that I wanted a circular fisheye effect. Now, I could have just done this in my Lomography Fisheye No. 2 camera but I wanted some control over the exposure which I knew I’d be able to do in my Pentax. This is because from previous experience of using Dubble Film’s Bubblegum film, I know that it had been best to over expose that particular film and I may have struggled to do this in the Lomography camera since I don’t have actual control of aperture and shutter speed except for cloudy/sunny option.
I also have a circular fisheye lens for my Pentax K1000, which I attach to my 28mm lens on the camera.
The reason I decided on using a fisheye effect lens was because I knew the film is pre-treated so the rainbow effect would show up on all of it and not just the circular photo. Normally the area around the actual circular photo is black when I take a picture so I thought it would be interesting to see what colour effects would show up on the black area.
I figured this style of film would be best suited to landscape style shots rather than of actual people so I decided to shoot a test roll on the beach where I live.
One key thing to remember about this film is that it only has 24 exposures. I had recently been shooting a lot of 36 exposure film so I completely forgot this when merrily shooting away and it meant that I missed out on some photos I had wanted to take because I thought I had another 12 exposures left to use.
I wasn’t sure what to expect from this film but it certainly did give a rainbow colour effect and I think it worked well on the beach. Here are some of the photos:
Natalie Smart Film Photography 