Using the Flash Shoe Accessory for My Olympus Pen FT

Several months ago I purchased a flash shoe accessory which was made specifically for the Olympus Pen FT.

When I initially fitted it onto the camera, I was really worried about it breaking the plastic around the viewfinder (there are many FT’s I’ve seen for sale with broken plastic on their viewfinders due to this particular accessory breaking them) so I was a bit reluctant to use it for a while….

Here is a close up of the viewfinder of the camera:

Here is a close up of the viewfinder with the flash shoe accessory attached:

However, the other week it was a miserable rainy day in Brighton and I desperately needed a photography fix! So I decided to carefully attach it to my camera and try it out at home by taking photos of my pets.

I had previously bought a Mirage 200 flash which I picked up for around £4 on eBay and it came with new batteries in it so that was a bonus! There was also the metal attachment with it in case I wanted to mount the camera on that instead of using the flash shoe accessory which means the flash sits to the side of the camera.

Here is the flash mounted on top of the camera:

I decided to use my 40mm 1:1.4 G.Zuiko Auto-S lens since I thought this would be good for portrait shots of my pets.

In my 35mm film stash, I had some Kodak Portra 160 colour film which, I decided to use for this project.

The Mirage 200 Flash provides an exposure table on the back of it which, suggested that I shoot at an aperture of f/16 if taking photos of around 1 metre (3 foot) away with a film ISO of 100, or it would be f/22 for ISO 200 film.

Since the lens I was using only goes up to f/16, I decided to shoot on that aperture.

I also had problems with the viewfinder being quite dark whilst shooting indoors so I really had to concentrate on getting the focusing right because it wasn’t very clear.

I ended up having to take photos of my pets over a couple of days since there was 72 shots to use up on the roll of film!

Once I got the film back, I was very pleased with the results! The film had exposed really well.

Here are a couple of photos of my dog, Daisy:

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Here is one of Daisy next to a cushion which I had printed up and made from a Polaroid photo I took of Brighton Bandstand:

Here are a couple of photos I took of my cats:

These final three photos of my cat, Mr Robinson, made me laugh. I can only think I perhaps wasn’t giving him any more treats for the day!

I would definitely use the lower ISO Portra film again for taking indoor photos as I really liked the colours.

Due to my fear of chipping the plastic viewfinder on the camera, I cannot see me using the flash attachment on a regular basis but it’s good to know I’ve got it for when I do need to take some indoor shots using this camera and I’ll just have to be extra careful when mounting the flash.

Cool Film Club

Back in September last year I signed up to Cool Film Club who provide a monthly subscription box service where you get two rolls of 35mm film for £14.75 including postage in the UK.

What I liked about signing up to this was that I was quite excited about receiving different films each month and the surprise element of not knowing what I’d be getting.

On their website they explain that the films will vary from Ilford Delta, Kodak Portra to expired films and other brands that I may never have tried before.

I’m always up for trying new films so thought the subscription box would be a good way of introducing me to some films I perhaps would have never normally bought.

I received my first box in October which was nicely packaged and I always get a free bag of Haribo sweets. They also provide a letter with each box confirming the films that have been sent to me and a little bit of information about each film to help give me an idea of what style photography they may work best for.

Here is a list of the films I’ve received to date:

OCTOBER:- Kodak Portra 160 and Rollei Retro 80s

NOVEMBER:- Kosmo Foto 100 and Kodak Ultramax 400

DECEMBER:- Rollei Redbird 400 and Ilford Pan F Plus 50

In January I received three rolls of film. The first two were Ilford Delta 400 and Konica SR100 (which was an expired film). The third film I received was Pulse which is a pre-exposed, creative film and the reason I received this third roll was because Cool Film had teamed up with Spektrem Effect who were giving away a bunch of this film.

It seems quite a common thing for Cool Film Club to team up with other companies as there was often a discount code of 10% if I got my film developed at SilverPan Film Lab which was a nice touch.

Some people may feel that around £7.38 is a little bit expensive for each film but this does include postage and I liked the fact I was getting a surprise each month which I found quite exciting. To me, it was like getting a little present (at my expense of course!) on a monthly basis.

I personally really enjoyed the subscription and the different types of films I was getting.

However, this month, I decided to cancel my subscription. The main reason was because I’ve really got into medium format photography so now only mainly use 120mm film. I think if I continued to receive the subscription, the film would pile up in the fridge because I wouldn’t really be using it. Also the £14.75 per month is money I could put towards 120mm film which I obviously get through a lot more quickly since it’s only 12 frames per roll.

I did like the thought of receiving a 120mm monthly film subscription and I emailed Cool Film Club and asked them if it was something they would consider but at this stage it doesn’t look like they will be doing this. I also looked online to see if there was anybody else offering this service but currently there doesn’t seem to be which is a shame.

If I found myself shooting lots of 35mm film again like I used to, then I would definitely reconsider signing up to Cool Film Club.

For anybody interested in possibly signing up to their monthly film subscription, their website is:

https://coolfilm.co.uk

My Olympus Pen FT Camera and Cinestill BwXX film

I’ve been a fan of the Cinestill film ever since I tried the Cinestill 50D colour film using my Olympus Pen FT and got some great photos at a car show.

I’d also used the Cinestill 800 colour film with my Pentax K1000 and had managed to take some nice evening shots.

In a nutshell Cinestill film is a motion picture film for still photographers.

I’m fortunate enough to have a shop in Brighton called Zoing Image which stock Cinestill 50D and Cinestill 800 colour film.

However, when I discovered the Cinestill BwXX black and white film, they unfortunately didn’t have any in stock for me to buy. I therefore had to look online and bought the film through Analogue Wonderland  as there were a couple of other creative style films I wanted to try that they sold so I bought them altogether.

I already knew that I wanted to use my Olympus Pen FT camera for this film because I love the high quality lenses this camera has and I also knew I mainly wanted to take architectural style shots. Also, the size of the photo taken on a half frame camera is very similar to cinematic style photos.

The Cinestill BwXX is a high speed, classic black and white film emulsion with a recommended ISO 250 under daylight.

What I also love about this film is the fact it’s a classic black and white film stock left relatively unchanged since it’s release in 1959 for still and motion picture use so this really adds to that vintage film feel of a photo.

I’ve read that it’s a classic film stock to fill the void left by the discontinuation of it’s sister films, Kodak Plus-X (which was discontinued in 2010) and TXP320.

The film produces 36 exposures (or 72 on a half frame camera) and is a 35mm film format. It’s not the cheapest of films and retails at around £10 per roll.

Here are some photos I took whilst out and about in Brighton

Since I had architectural photo’s in mind for this film I also visited the Barbican in London and took some photos:

I got the film developed at my local lab and I scanned the images using my Epson V600 scanner.

One thing I did notice when the negatives were developed was the high quality negatives produced. They were really thick and not flimsy and the images on the negative were very bright and clear to the naked eye.

As I expected, the photos have a real grainy, cinematic look about them which I do think has worked well with the architectural shots.

Going forward I would definitely use this film again if I had a black and white vintage style photography project in mind as i think the film would work well with that.

Dark Room Photography Part 4

Yesterday was my fourth lesson in learning about dark room black and white photography.

I was quite excited because I knew this lesson would involve making an enlargement of one of my negatives.

I had already decided on the negative I wanted to initially try which was a picture I had taken of one of my cats who is a Silver Tabby using my circular fisheye lens which was attached to a 28mm lens on my Pentax K1000.

I liked the fact this picture had my shadow in it and the white walls and patterned tiles in my garden also made the picture more interesting.

First of all I had to make a sample sheet once I had decided on the size of the enlargement.

In this lesson I unfortunately picked an enlarger with a temperamental digital timer so if pressed slightly wrong, the image wouldn’t expose for the full second which was annoying.

I set my first sample sheet using F/11 as per last week although I was informed by my tutor that the times wouldn’t necessarily be the same as before because I was doing the photo at a different size and distance to my contact sheet, hence why we do a sample first. Here is my first sample sheet:

I decided I liked the area that had exposure of around 4 seconds but because my timer was temperamental, I wasn’t sure if this was entirely accurate. Here is the result

I decided it was a bit dark so tried again at 3 seconds:

I preferred this contrast to the previous one but I discovered a little lighter circle in the left corner where I must have accidentally splashed some chemical before developing (that will teach me to wash and dry my hands before using a new piece of photographic paper!).

I wasn’t quite happy with the alignment of the images on the photographic paper as shown below:

I therefore decided to do another enlargement making the image larger on the paper. This meant I had to do a sample sheet again due to changing the focus:

On this sample I again used an aperture of F/11 and decided on an exposure of 4 seconds. Yet again the timer had not worked correctly so I wasn’t 100% sure if this would be accurate and here was the result:

I was really happy with the border but the image was too light. I was nearing the end of my lesson with 5 minutes to spare so my tutor suggested I quickly do it again with an 8 second exposure and here is the result:

I was really happy with this image and exposure plus the border.

For a first attempt I’m definitely pleased with the end result. In next weeks lesson I shall be developing more photos but perhaps I’ll use a different enlarger with a timer that works properly.